Gardel in San Isidro


Yesterday chronicles, bring to us that Carlos Gardel farwell, the night of november 5 in 1993 at the house of his friend the horse keeper Francisco Maschio. A property located at Von Wernicke 60 Street, (today n ° 3022) in the neighborhood of Boulogne, in the San Isidro area inside of the state of Provincia del Gran Buenos Aires. An unforgettable farwell that had more than 180 guests. The following day Gardel showed up in Radio Nacional; there the singer recited some verses and recorded three tangos to the national label Odeon.
Then, on November 7, he left Argentina and went to Europe, to finally return to EEUU, to fulfill a contract at NBC and where he would later film his last films for Paramount. That would be the final farwell from Argentina. Next we present a chronology that includes all the presentations of the singer Carlos Gardel in San Isidro.
Courtesy of the writer, researcher and local historian Jorge Tirigall.


“Gardel, San Isidro and el tango”

By Jorge Tirigall


It is worth to highlight the presentations of Gardel in San Isidro, but the most remarkable were his five shows during his last six months in Buenos Aires. Let’s see in a chronological order that time in 1933. On May 13 he showed up in the Acassuso Cinema, a place that today does not exist anymore, located at 500, 9 de Julio Street, there he was part of the celebrations of San Isidro Labrador, hired by the Mayor Mario Lambertini. One of the Mayor’s daughters, Aída Lambertini de Muñiz told that, that night the Mayor and the “Zorzal” discussed because Gardel wanted that the people who couldn't get in, were admitted to the show no matter what, but the mayor didn't want people to get in without paying the tickets. One month later, on June 13 the second show took place in the 1860 Santa Fe Avenue in Martinez. At the Astro cinema- the wich one doesn’t exist anymore today and a Bank is located there instead-The person who signed the contract where was established that Gardel was going to sing was José Razzano as his representative.
The cinema, a property of Ido Bentivogli, offered to its own staff like the ticket sellers and ushers the possibility of use the room in order to increase their personal incomes. At that time, Víctor Ruano, a neighbor of Martínez, was the director of Radio Callao and his wife was a regular at the Astro cinema.
Someone from the staff named Galindo, had the idea to propose to the lady that, through her husband's contacts with some famous artists, she could manage the presence of such a prestigious singer (Gardel). Fortunately, they could get it and that day, besides the couple were there two Gardel’s best friends, Irineo Leguisamo and Francisco Maschio, who already knowing of the inauguration of the San Isidro Racecourse he had named his stud “Yeruá”, the same name as that in Olleros street, in Lomas de San Isidro .
Some witnesses guarantee that Gardel opened his performance with el tango “Leguisamo” in tribute to his present friend. Enrique Leonardi, owner of the Select cinema, also located in Martínez, (a place destroyed by a fire) says that when Gardel knew where the money of the earnings of that show were going to be used, he did not want to charge a penny for his performance. We can also say that Gardel had promised to attend to the San Isidro Racecourse inauguration, but he couldn't keep his promise because of the Medellin tragedy on June 24, and the inauguration finally occurred on December 8. The following presentation was on September 22 at the Royal cinema, which one today is the Stella Maris cinema theater, owned by the Italian Society for Mutual Aid of Cultural “Dante Alighieri” of San Isidro, located in 399 Martín y Omar streets. This cinema changed its name several times, being call Las Flores, Mignon and San Isidro.


In the photo Gardel and Leguisamo are with their bandoneons.


One of the memories from that night was the part where one string from Riverol’s guitar cut off and him repaired it in a hurry before Gardel finished singing, and the fact that the show was almost empty. The witnesses of that show say that Gardel arrived and left with his car to the place, while the guitarists did it by train.
Once the performance was over, they returned to the Capital together, but they made a stop at “La Covacha café”, located on the corner of Belgrano and Acassuso streets, owned by the neighbor Mauricio Ramírez, there at the request of the present public, agreed to sing some songs.
This was the fourth Gardel's show in that 1933. The fifth and last one occurred on November 5 at the Yeruá stud on Von Wernicke Street near to Diego Carman. That property had different owners through the years, the first ones, Francisco Maschio's heirs, then they sold it and who bought it were the Moscón brothers, one of them was called Juanca Tavera, he was another amazing tanguero of this country.
After the Moscón brothers, a local businessman named Bianchi bought it, today that place is a company dedicated to real estate from Urruti and associates, Some of the people who attended the last show, which one it would be the Gardel farewell, due to, time after he would not return from his tour… were: the jockeys Irineo Leguisamo, Carlos Ferragut, Alfredo Peluffo, Genaro De Palma, Jorge Mernies and Julio Iberra, the horse keepers Francisco Maschio, Nicolás Berazategui, Wenceslao Borgonovo, Luis Saini, Emilio Ridella, Bartolomé Cardinali, Juan Mariotti, Ángel Penna,Germán Vichera, Ambrosio Elnen and José Bordón, the veterinarians Tubal Rodrigo, Humberto Caraciocciolo, the race horse owners Jorge Ravier, Roberto Coquet, Lauro Vericiarto y Eulogio Collado, plus some people from show business like the brothers César and Emilio Ratti, Raúl Rosales, the guitarists Julio vivas, Guillermo Barbieri, Horacio Pettorossi and Domingo Riverol, the chronicler of the horse races Arturo Gavasso, other important people from the horse races such as Alfredo Frigerio, José Pesce, Antonio De Luca, Atilio Balzano, “Chico” López, Francisco Bigliolia, Guillermo Liparelli and Gregorio Bidegai.
There were also there the traditionalist center Leales y Pampeanos from Avellaneda represented by Horacio Orquin, Roberto Roncayoli, Amadeo Desiderato and Santiago Rocca. Other attendees were Armando Defino, Adela Blasco Defino, Isabel del Valle, Emma Rodríguez, Juan Bocasso, Antonio Sumage and Ramón Maschio and after midnight, the Edgardo Donato orchestra was present too.
The Gardel photograph below is from that meeting where we can see him sitting with a bandoneon leaning on his knees, and on his left is Irineo Leguisamo and on his right Francisco Maschio in the same pose. The events related to Gardel in San Isidro are another thing that deserves to be mentioned. The first of them is a plaque placed by the Association “Hijos y Amigos de San Isidro”, which dates from June 24, in 1989 and where Jorge Tirigall was the speaker of the event, this happened in the same place where it was the Real Cinema, the Centro Cultural del Tango Zona Norte (an Academy that belongs to the National Academy of Tango) placed one too, on June 24 in 2004, there the speakers of the event were Rodolfo Omar Zatti and Rubén Fiorentino.
On december 12 in 2012, the Centro Cultural del Tango Zona Norte also placed a plaque in the Carlos Gardel Square, located in the Beccar neighborhood, that plaque was not the first there, it was added to those that had already been placed by another entities in the Square. During that event the speakers were Mr. Tirigall and Fiorentino, both of them were invited time after by the Centro Cultural del Tango Zona Norte on July in 2013, to another event in memory of the eightieth anniversary of Gardel’s show at the Astro Cinema in Matinéz, Cinema that today does not exist anymore.
Another plaque was placed by “Hijos y Amigos de San Isidro” and “San Isidro Tradicional” At the Acassuso Cinema, located in 525, 9 de julio street, where today it is the San Isidro Plaza Hotel.


“San Isidro is a town in the suburbs of Buenos Aires that has a history, a Gardelian history".

“San Isidro is a town in the suburbs of Buenos Aires that has a history, a Gardelian history".

Anastasio Hernandez

ANASTASIO HERNÁNDEZ, YOUR BOOK


"LIFE AND WORK OF CARLOS GARDEL"


The book that we exhibit on this site to the public and in its fourth chapter for the first time online, is autographed and dedicated by the remembered writer Anastasio Hernández to Josefina Adams de Malvestiti, who was the first English woman to play the bandoneon.
Anastasio Hernández: (1931 - 2014) was a historian, writer, lecturer and also an actor. Author of an exceptional and unique book that with only one hundred editions is recognized in the world and in the Gardelian environment.
In an admirable and constant dedication of the author, we value his work and the extensive research that took him just over three decades to collect information and specific details in the correspondence that, at his request, were sent to him from various parts of the world to carry out his work, in a deep analysis of all the life and work of our excellent singer-songwriter.
Anastasio was born in Adolfo Alsina province of Buenos Aires and settled in the province of Córdoba in 1955.
He was a member of the Academia Porteña del Lunfardo, the Cordovan Federation of Tango and the Ateneo Cultural del Tango en Córdoba.
"His book on the life and work of Carlos Gardel is the culmination of the effort of a lifetime dedicated to this end" Words by Alberto Clementi.
* Our thanks to the family of the writer Anastasio Hernández for their contribution to the dissemination of our culture "
* In the month that commemorates the "National Tango Day" and the birthday of Carlos Gardel, creator of Tango Cantando.
INTRODUCING:
From the book "LIFE AND WORK OF CARLOS GARDEL" by its author Anastasio Hernández.
Chapter N ° 4 - THE TANGO SONG, which includes from page 55 to page 115.
We attach a note from the journalist and rapporteur Horacio Bengolea - "Tango" magazine October 2012.
Where the deceased writer tells us how his admiration for Carlos Gardel begins and very specific passages from his life.

We enclose pictures and an interview to Anastasio Hernández
N ° 1 Anastasio Hernández
N ° 2 Anastasio in the dressing rooms
N ° 3 y N° 4 Machine with which the author wrote much of the end of the book, its beginning was on a Remington machine.
Courtesy - Valentin Pazzi Museum
N ° 5 Anastasio in the Movie Dressing Rooms
N ° 6 With Olga Zubarry
N ° 7 y 8 With Mirtha Legrand.
N ° 9 Whit Luis Sandrini
N° 10 Anastasio, now older, with the journalist Rony Vargas in the 90's.
N° 11 Exhibition of his book at the Gran Hotel Victoria, December 2019 "Gardel Memoria del Mundo".

THE BOOK

Azucena Maizani

Maizani report with Gardel


Memories speak ... His friendship with the Thrush


Maizani's friendship with Carlos Gardel was so enduring, an intense friendship that transcended the artistic world.
Gardel wrote few letters and to a few people, "Azucena Maizani was one of them"
They met in 1923 during an evening at the National Theater, when in different proportions the two were just climbing the steps of fame.
"In 1933 another chronicler points out that at the end of a radio program Gardel told Azucena:" You are a bit fat and I am a bit old, but in Buenos Aires there is still no one who can beat us to sing tangos. br> Carlos recorded his tango "La Canción de Buenos Aires" (Maizani - Cufaro)
Among other compositions.
Of an attractive brunette and Creole beauty, Francisco Canaro assures that he discovered her at the Pigalle and launched her to stardom in 1920, when she made her debut with his orchestra, the same conductor is credited with having given her the nickname "Azabache", but in reality The person who gave her the true baptism certificate was Libertad Lamarque in the mid-thirties, when he described her as the “Ñata gaucha”, the nickname that made her famous.
The women of Maizani interpret a lunfardo of the suburbs, where they express the drama of the suburb led to an unequaled sentimentality.
He competed in his time with famous female singers such as Nelly Omar, Ada Falcón, Rosita Quiroga, Libertad Lamarque, Mercedes Simone ...
He had a consecrated career, with tours of Spain in 1931 with Roberto Zerrillo, Oreste Cúffaro and Joaquin Mor, when he performed at the Alcázar Theater in Madrid. He also devoted himself to silent films, and in 1931 with the arrival of talkies, he took part in the film "Tango", sings on Radio Nacional, and filmed "Monte Criollo" where he sings the tango of the same name. He also sang on Radio “El Mundo” with the Elvino Vardaro orchestra.
In 1938, Azucena embarked on an important tour that included all the Pacific countries, Cuba and the United States.
Could it have been Carlos Gardel? who encouraged Maizani to project himself in his career in the United States.
As we see in the lines of the letter that Gardel sent him from New York, and that we show in a copy in the gallery.
Azucena Maizani : 1902 – 1970

We enclose graphic notes of the time:

N ° 1, 2, 3, 4 - Note from RADIOLANDIA to Ñata Gaucha (1937)
N ° 5 - Note from EL MUNDO - GARDEL Y YO (1963)
By journalist Adrián Juárez
Photographs and original material.
N ° 6 Postcard photo of Azucena dedicated to a friend in 1934.
N ° 7 A true copy of the original letter sent from New York on 02/19/35
N ° 8 Meeting in a function. Buenos Aires 1933
N ° 9 Gardel, along with Azucena, Libertad Lamaque, Mercedes Simone among female singers.
N ° 10 Maizani on the film set.

TANGUERA RADIO

In TANGUERA RADIO


December 11


Gardel Siglo XX with Tanguera Radio to the world to 150 countries spreading culture.
During December 11,at the opening of each hour and during the 24 hours of the station, there will be daily outings with stories,musical themes and mentions from the radio announcers and journalists to decorate the DAY OF TANGO.
In the virtual gallery we will have a reminder with images alluding to the Carlos Gardel.

ACCOMPANIES LA VOZ


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